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Still Listening: ‘All Ears’
This hand-carved woodcut shows a hare standing alert in an open field beneath a dramatic sky. The print explores the relationship between animal and landscape, using strong black and white contrast, directional carving, and textured mark-making typical of traditional relief printmaking.
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At the Edge of the Field
The hare is often positioned where one space gives way to another. At the edge of the field, it stands between cover and openness, neither fully concealed nor entirely exposed. This threshold is not incidental. It is where the hare reads the land most clearly.
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Evolving Concepts of Home in Printmaking
Through linocut printmaking, Reflected Ground explores ideas of home, migration, and belonging within the Canterbury landscape. Using repetition and disciplined mark-making, the work considers how place shapes identity and how we come to inhabit unfamiliar ground over time.
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The Watchful One
The hare anchors the project as a figure of staying. In contrast to migratory birds, it remains within the Canterbury landscape, exposed yet persistent. Across the series, it moves from presence to trace, reflecting belonging as something formed through time and attention rather than ownership.
