Skip to content
Reflected Ground website logo v2 transparent — Sarah-Alice Miles printmaker Canterbury NZ
  • HOME
  • SARAH-ALICE MILES
  • Statement
  • LEARNING
  • PRACTICE
  • ESSAYS
  • GALLERY
  • CONTACT

Tag: traditional printmaking

How Linocut Captures a Sense of Place: Printmaking, Belonging, and the Canterbury Plains

Close-up of wood block being carved by hand — Reflected Ground printmaking practice, Canterbury, Aotearoa New Zealand

Linocut printmaking captures a sense of place not through description, but through the act of carving it. An essay on how slow, hand-made mark-making becomes a way of learning the Canterbury landscape — and what that means for belonging.

Effects of Paper Choice in Printmaking: Japanese vs European Compared

Japanese washi and European cotton papers behave very differently under the baren and press. A practical comparison of fibre strength, ink absorption, embossing, and print character to help you choose the right paper for your relief printmaking.

Still Listening: ‘All Ears’ — A Hare Woodcut and Essay

Black and white woodcut print of a hare in the Canterbury plains under a dramatic sky

A hand-carved woodcut of a hare standing alert beneath a wide sky. This print and essay explore stillness, listening, and what it means for an animal to inhabit a landscape without owning it.

  • How to buy a print

Loading Comments...