How Linocut Captures a Sense of Place: Printmaking, Belonging, and the Canterbury Plains
Linocut printmaking captures a sense of place not through description, but through the act of carving it. An essay on how slow, hand-made mark-making becomes a way of learning the Canterbury landscape — and what that means for belonging.
The Hare as a Symbol of Belonging: A Printmaker’s Essay
The hare in Canterbury was introduced in the nineteenth century — familiar with the terrain, never wholly native to it. An essay on belonging, the hare as symbol, and why it keeps appearing in the Reflected Ground prints.
The Watchful One: Staying, Vigilance, and What It Means to Belong
The hare in the Reflected Ground series does not flee — it stays. This print and essay explore vigilance as a form of belonging: what it means to remain, exposed, in a landscape that does not yet fully know you.